Where the wood needed locking, pegs of a counter grain have been driven. The ceilings are high, for coolness, and the spaced shingles seal at the first breath of mist. Though the windows are open, the eaves of the roof are so wide that nothing of the rain comes into the rooms but its scent. Mats of perfect cleanness cover the floor. The fire is cupped in black rock and sustained on a smooth breast of ash. Have you never lacked shelter? Where, then, has your life been touched?
My pleasures are as specific as they are everlasting. The sliced edges of a fresh ream of laid paper, cream, stiff, rag-rich. The freckles of the closed eyelids of a woman attentive in the first white blush of morning.
The ball diminishing well down the broad green throat of the first at Cape Ann. The good catch, a candy sun slatting the bleachers. He revolutionized the American short story with the techniques of symbolism, epiphanies and dramatic monologues.
From the beginning of his career, his short stories have consistently subordinated the traditional emphasis on plot and dramatic action with rich figurative language and imagery. The beginning of the story Dark has a vivid description of a room which symbolises the gloom of the narrator: The Dark, he discovered, was mottled, was a luminous collage of patches of almost —colour that became, as his open eyes grew at home, almost ectoplasmically bright. Objects became lunar panels let into the air that darkness had given flat substance to.
Walls dull in day glowed. Yet he was not comforted by the general pallor of the dark, its unexpected transference; rather, he lay there waiting, godlessly praying, for those visitations of positive light that were hurled, unannounced, through the windows by the headlights of automobiles pausing and passing outside.
But I think its our fate as 20th century people to live with ambiguity and so we have tried the ambiguity as it exists. Archangel is written in the form of a dramatic monologue.
Dramatic monologue is a poetic form in which a single character addressing a silent auditor at a critical moment, reveals himself or herself and the dramatic situation Dictionary.
It is also called dramatic lyric. While the angel asks only for love and praise in return, the auditor feels the price of commitment is too high and doubts at his promises. Such glimmers I shall widen to rivers; nothing will be lost, not the least grain of remembered dust, and the multiplication shall be a thousand thousand fold; love me.
Embrace me; come touch my side, where honey flows. Do not be afraid. Why should my promises be vain? Jade and cinnamon: do you deny that such things exist? Why do you turn away? Is not my song a stream of balm? My arms are heaped with apples and ancient books; there is no harm in me; no. Praise me. Porphyry , in this Biblical context, is probably a prized igneous rock with feldspar crystals in it; myrrh is an expensive oil for anointing, and one of the gifts the wise men brought the baby Jesus.
He promises perfect workmanship: "Where the elements are joined, a sword of the thinnest whisper will find its point excluded. To this point, the narrator could be an archangel in a painting, speaking perhaps to baby Jesus.
But in the fourth paragraph he turns contemporary:. The sliced edges of a fresh ream of laid paper, cream, stiff, rag-rich. The freckles on the closed eyelids of a woman attentive in the first white blush of morning. The ball rapidly diminishing down the broad green throat of the first at Cape Ann. The archangel even tempts Updike with specific works of art: "In New York, the Brancusi room, silent.
Preachers Who Are Not Believers. Daniel C. Dennett - unknown. Richard Eldridge - - Cambridge University Press. Abstraction in Fitch's Basic Logic. British Moralists. Editorial Introduction. Modernities, Civilisations, Natures. Others as Strangers. Genes, Mind and Culture.
0コメント